Nov 26

As many of you know, Snowfall Press has created a Facebook Application that enables you to launch a bookstore on your Facebook fan page. This sales tool gives you the opportunity to create an easy, online bookstore for anyone to buy from. In fact, you can send the link (URL) from a book to a friend, or link to an image on your own website, that will take a consumer back to the product in your Facebook bookstore, where they can place their order.

If those reasons were not enough, here are five ‘best’ reasons for using Facebook.

  1. As of press time, Facebook is still free. It is free to set up a fan page, and free to load as much information about your book and about yourself on that page. The actual cost to begin marketing your content to others is pretty low if this is part of your strategy. Use your website as your main battle camp, and Facebook as your nimble outpost.
  2. More than six BILLION minutes a DAY, (more than an hour per day per user) are being spent on Facebook. Are you able to generate that sort of traffic on your website? Be where your customers are, and learn to get their attention.
  3. The average Facebook user joins two new fan or business pages per month. These pages can be used to promote your business and your writing.
  4. Facebook tools like Facebook FAN BOX and Facebook CONNECT enable interaction with Facebook, from outside the social media tool. By setting up a Facebook FAN BOX, visitors to your website, newsletter, or YouTube can become a fan of your business page without actually visiting Facebook. This has proved to be a very effective way for business to gain more fans via their website, videos, and newsletters. Facebook CONNECT is a program in which enables Facebook to interact with other sites. There are 80,000 other sites that can be connected through Facebook Connect.
  5. Your Facebook posts can go viral. No, not in the disease type of viral, but in the spread rapidly and uncontrollably – viral. This is a good thing. How do you make your posts more viral? Most people post links to things. However, most people engage with pictures and videos. In fact, photos are five times more popular than links, and videos are TEN times more popular than links.

Why do you use Facebook?

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Oct 31

Snowfall Press is first and foremost, a technology company. We produce technology for printers who want to be part of the Snowfall Print Network. We produce technology that makes it easier for authors and publishers to print their own books. We produce technology that enables authors and publishers to distribute their books across the globe, whether it is to readers or retailers.

One of the key technologies that Snowfall has recently released is called the Snowfall Facebook Bookstore Application. This application is available to any Snowfall Press customer who has both books for sale, and a Facebook Business or Fan page. The application creates a bookstore on the fan page, where fans can purchase the book directly from the author or publisher, and the order is printed-on-demand through Snowfall’s system, and drop shipped directly to the customer.

I was recently interviewed about new technology, and I talked about this new Facebook feature for authors and publishers.

 

 

For more information about the Facebook Bookstore Application, click here.

Feb 23

For many new publishers and authors, the notion of retail sales is like either the Holy Grail, or like that sermon at your grandparent’s church when you were young, that you had to endure, but certainly didn’t enjoy or understand. Retail placement can be the culmination of years of work writing, editing and finally publishing a book. Retail placement is the final stop, the pinnacle of a publishing career…or is it.

Bookstores have been favorite haunts for book lovers, and for writers who have been called to share their message. Traditional publishing has always relied on the retail store to be the link from the author/publisher to the consumer. So naturally, an author/publisher is very interested in getting their book in retail stores, whether they be bricks and mortar, or online.

During my career working in traditional publishing, I had the opportunity to call on just about every sales channel in the industry, including the retail trade. I have represented both large publishers and self published authors to these same channels. I have consulted with scores of content providers and in almost every case, have had to consult with them by answering these questions or correcting misconceptions about how the retail channel works:

1. No matter how you are published, you better have a marketing and business plan before you are done.

Serious writers and publishers are in business to make money. I am sorry if this bursts the creative/artistic bubble, but it is true. If you are in business, you have to have a plan that takes you from content (creative) to profit. Retail distribution can be a part of this plan. Pricing, promotion and other placement is also very important. Can you leverage your own network? Can you sell direct? Do you speak to small or large groups of people? How can you build relationships with others who will do your promotion for you?

2. Your marketing materials need to be ready eight to ten months in front of my release date.

What? The book isn’t even finished. “How can I possibly get the marketing onto a pitch page? I don’t even have a cover finished.” Refer to point number one. If you already have a business plan, you will have thought about covers and marketing copy before you got to this point. Retailers work far in advance of what most authors realize. They are planning for fall releases (books that are releasing in September through November) in March and April. They have to plan catalogs and other in-store promotions and merchandising for your book. Unfortunately, these are the retail rules and publishers who do not follow these timelines will struggle to get retail placement.

3. Retailers will not buy your book just because it was pitched by a sales team.

Retailers do not have to buy your book. There are many reasons why a buyer will pass on a book. They may not like the cover. They may have had bad experiences with content like yours. They may just be having a bad week. Sales teams can help tremendously because they have build relationships with their buyers that bring a trust level to the sales call. However, this doesn’t guarantee anything.

A typical independent store might carry 50,000 titles, and a typical chain store might carry 150,000 titles. This includes all the backlist and incoming frontlist. There are more than 300,000 traditionally published titles each year. If a store can absorb 10,000 frontlist titles, this means that only 2-3% of these new titles are going to make it into most independent retailers. Online retailers will likely ‘stock’ your book on their ‘shelves’ because they have unlimited shelf space, however, the competition for consumer dollars increases with more choice.

Any book can find success if there is demand. Retailers will stock just about anything that has enough demand – and it is your job to create that demand.

4. Build your platform and your tribe as soon as possible.

There are lots of great articles about this topic. If you want to be successful selling your message, start with the people who love you the most. Build relationships with people who resonate with your message. Encourage these people to share it with others. Publishers can be very successful with just a few hundred or few thousand people who want to buy what you have published, and want to tell all of their friends about it.

5. You can be successful  even if you are not selling through retail.

Speakers who write, will sell more books themselves to their listeners, than will retail. Bloggers, who have lots of followers, can offer their book and reap the benefits of these direct relationships. If your topic has a specific niche market, there are likely businesses or non-profit organizations who would love to use your book (expertise) to help build relationships with their own customers. Find markets for your book that are not already crowded with thousands of other choices, and you will find buyers.

6. Amazon can sell your book, but the numbers are smaller than you think.

I used to sell directly to Amazon on behalf of a publisher that I was working for, and we had some best-sellers. These same best-sellers might be ranked in the top 500 or even 100 in the book category, or sub category and the authors would always be very excited (and should have been). The sales numbers, however, even at these high rankings, were only in the hundreds of books per week. Amazon sells millions of titles and gives the consumer millions of choices. These choices spread the purchasing dollars over a broad array of books. Even the Amazon best-sellers are not going to make any publisher or author rich, in almost all cases.

7. Selling through retailers is expensive.

Average retail discounts are 50% of the suggested retail price. Every book is fully returnable (if you really want it to be stocked, this is required), and the publisher bears almost 100% of the risk. Returns can be damaged. Retailers will take months to pay their invoices. Shelf placement and in-store promotion can cost thousands of dollars with some chain stores and many times the resulting sales do not cover the marketing expenditure.

Bookselling is changing and more publishers are developing direct-to-consumer models which help them leverage new sales channels against the traditional retail model. This will be an ongoing shift in the way books are sold into the future.

What are some other tips/tricks/observations about selling books through the retail channel?

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Jan 19

This is a guest post by Charles Brock, an award winning principal/creative director at faceoutstudio. Charles is a proud Okie currently living in Oregon. Most of his life was spent in and around Tulsa, Oklahoma before moving to Bend. He has been designing book covers for the last 14 years since graduating from Oklahoma State University. In his spare time, Charles enjoys photography and spending time with his wife, Kimberly and their Bullmastiff, Zoe.

““You can’t judge a book by its cover.” This tired phrase may be overused, but truthfully, a good cover design is one of the single most important elements of the book package. That being said, a book cover does not sell a book. The sole purpose of a book cover is to quickly grab the attention of the consumer and entice them to pick it up and investigate further. At that point the flap copy and or back cover copy has to do its job and convince the consumer that the content of the book is of interest to them.
So, you’ve finished writing your book and now you need a cover. What is the first step? Research. You should do some research and find an experienced book cover designer. Unfortunately, the best book designers don’t typically show up in a Google search result. One way is to go to the bookstore and find covers you like and see who the designer is. It’s standard practice to have the designer credited on the back flap of jackets or the back cover of paperbacks. What an experienced book designer offers is their knowledge of publishing, genres, sub genres and trends. This is invaluable when trying to communicate to the right audience for your book, especially if it is a niche book.

Once you‘ve identified options for cover designers, how do you pick just one? First and foremost ask to see the designer’s book portfolio. The proof is in the work. When looking at the designer’s cover portfolio, be critical. How do the covers stack up to what you see in the bookstores? Unfortunately, the quality of most self-published book covers is not great. So, look beyond the world of self-publishing. Millions of books are published every year and your book is competing with all those for the attention and money of the consumer. You don’t want a poor quality cover to put you at a disadvantage.

Another important aspect to consider when selecting an artist is the designer’s process. Ask them how they work. A good designer will want as much information as possible about your book and your audience. If it’s a work of fiction, it would be helpful if the designer was available to read it. This is not as important with non-fiction books as long as there is an in-depth summary in the brief. The more questions the designer asks you about your book, the more it shows their commitment to delivering an appropriate design for the message and the audience of your work. Will the designer share ideas or rough sketches before delivering a finalized presentation? A few well thought out ideas are much better than a bunch of options that are off the mark.

Cost. Not fun but necessary. Most experienced book designers will not be on the low end of the price range. If someone is quoting you $150 for a cover, be very suspicious of the quality of the work. When discussing price with a designer ask what is included in the price. How many options or “comps” are included? How many revisions are included? Does that include the full design and print ready mechanical? Does that include “art” costs, i.e. photography, illustrations? What is the time frame? Typical turnaround for a cover presentation is two weeks. If you need something sooner than that, expect a higher cost. If the cost is too high you could try to negotiate fewer options or comps.

You’ve spent a lot of time and hard work writing your book. Give it the cover it deserves. Don’t go with the cheapest option. Find an experienced designer that will be dedicated to giving your book the cover it deserves.”

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